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  • Schutz at the ICA Boston

    2 years ago - By Martin Mugar

    Around the time I was trying to sort out the clutter of paintings qua sculpture at MassMoCA for a blog post , I received a self-published book from the gallery owner, Paul Rodgers, on his theories of the origins of 20 th Modernism. Looming large in his story of the Genesis of the Modern is Barnett Newman. Recently, as I started to put together a critique of Dana Schutz's work at the Boston ICA , the artist Jeremy Gilbert-Rolfe emailed me an article that he published in a collection of essays called “Contemporary Visual Culture and the Sublime” published by “Routledge Advances in Art and...
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