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Still editing
Acrylic, charcoal and pastel on canvas 24" x 24" Still working on the same set of paintings. I am happy not to use brushes at all. The approach feels to me to have more...
8 hours ago - Real Art
Yikes, they wheeled me into one of my own abstract paintings
Acrylic, charcoal, pastel and graphite on canvas 24" x 24" The child in the push chair motif is me many moons ago aged about 3. I don't know why I am acting surprised / scared...
1 day ago - Real Art
Illustration by Balliol Salmon
A.J. Balliol Salmon (1868-1953) was a British illustrator who painted high-society subjects using pencil, watercolor, gouache and pen. Various drawing and painting media were...
1 day ago - Gurney Journey
Half Heard
Acrylic, pastel, charcoal and graphite on canvas 24" x 24" When your hearing is very bad as mine is one of the things I miss is listening to music. And yet I find that my brain...
6 days ago - Real Art
Interlude
Acrylic, charcoal and pastel on canvas 24" x 24" This is a re-work of the non-titled painting I posted a couple of posts ago. I have five new paintings on the go and have kept...
6 days ago - Real Art
Using Milk as a Fixative
I've heard of using bread as an eraser , but this one was new to me: using skim milk as a fixative for charcoal drawings. Apparently Van Gogh did it, and the milk solution can...
1 month ago - Gurney Journey
New Blog Series on Color, Part 9: White
View in browser Whites by Gamblin Artists Colors (This is the final post in my series on color. Next, I'll start a series on giving plein air paintings extreme makeovers!) Not...
1 month ago - Michael Chesley Johnson
New Blog Series on Color, Part 8: Black
View in browser Blacks and Greys by Gamblin Artists Colors So many of us plein air painters, working in the Impressionist tradition that dominates our craft, have been warned...
1 month ago - Michael Chesley Johnson
Charles Bargue Plates Reprinted
Making copies of Charles Bargue plates have become a standard part of academic practice in the ateliers, but it can be hard to find high quality reproductions of the original...
1 month ago - Gurney Journey
LEARNING TO LOVE ORPHEUS
I love Cy Twombly's drawing, Orpheus. Let's see if you can too. In times of uncertainty for painting, artists often revert to their primal roots in drawing to help find their...
1 month ago - Illustration Art
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Artwork Mag > Charcoal

Artwork Mag Search: Charcoal

Still editing

Acrylic, charcoal and pastel on canvas 24" x 24" Still working on the same set of paintings. I am happy not to use brushes at all. The approach feels to me to have more...

Yikes, they wheeled me into one of my own abstract paintings

Acrylic, charcoal, pastel and graphite on canvas 24" x 24" The child in the push chair motif is me many moons ago aged about 3. I don't know why I am acting surprised / scared...

Illustration by Balliol Salmon

A.J. Balliol Salmon (1868-1953) was a British illustrator who painted high-society subjects using pencil, watercolor, gouache and pen. Various drawing and painting media were...

Half Heard

Acrylic, pastel, charcoal and graphite on canvas 24" x 24" When your hearing is very bad as mine is one of the things I miss is listening to music. And yet I find that my brain...

Interlude

Acrylic, charcoal and pastel on canvas 24" x 24" This is a re-work of the non-titled painting I posted a couple of posts ago. I have five new paintings on the go and have kept...

Using Milk as a Fixative

I've heard of using bread as an eraser , but this one was new to me: using skim milk as a fixative for charcoal drawings. Apparently Van Gogh did it, and the milk solution can...

New Blog Series on Color, Part 9: White

View in browser Whites by Gamblin Artists Colors (This is the final post in my series on color. Next, I'll start a series on giving plein air paintings extreme makeovers!) Not...

New Blog Series on Color, Part 8: Black

View in browser Blacks and Greys by Gamblin Artists Colors So many of us plein air painters, working in the Impressionist tradition that dominates our craft, have been warned...

Charles Bargue Plates Reprinted

Making copies of Charles Bargue plates have become a standard part of academic practice in the ateliers, but it can be hard to find high quality reproductions of the original...

LEARNING TO LOVE ORPHEUS

I love Cy Twombly's drawing, Orpheus. Let's see if you can too. In times of uncertainty for painting, artists often revert to their primal roots in drawing to help find their...

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